Curriculum / Semester 1 / Piano Track / Month 1: Stabilize

Month 1: Stabilize

Month 1 Piano Plan: Stabilize

Anchor song: Sweet Home Chicago / Early Blues 12-Bar Laboratory

Piano role this month: Clarify form and simple support.

Primary key: Bb major blues (four-note left-hand movement is natural) or C major blues (all white keys in the lower register).

12-bar blues chord chart in Bb:

Bar 1:  Bb7   |  Bar 2:  Bb7   |  Bar 3:  Bb7   |  Bar 4:  Bb7
Bar 5:  Eb7   |  Bar 6:  Eb7   |  Bar 7:  Bb7   |  Bar 8:  Bb7
Bar 9:  F7    |  Bar 10: Eb7   |  Bar 11: Bb7   |  Bar 12: F7

Shell voicings in Bb:

  • Bb7: left hand Bb + Ab (root + 7th), or Bb + D (root + 3rd)
  • Eb7: left hand Eb + Db
  • F7: left hand F + Eb

Month 1 piano study versions:

VersionWhat to play
ALeft hand roots only — one note per bar through 12 bars
BLeft hand roots + right hand triad on bar starts (beats 1 of bars 1, 5, 9)
CRight hand spread triad color in one place (once per chorus)
DOne short top-line answer (two to four notes) after a natural pause

Month 1 week-by-week piano focus:

Week 1 — Piano: Open the AMF semester workflow on piano. Play the 12-bar form in Bb or C with left-hand roots only. Record a baseline: form and time, nothing else. Goal: complete three choruses without losing place.

Week 2 — Piano: Add the Charleston feel with right hand — chord on beat 1, short anticipation before beat 3. Practice with left hand roots only until the feel is stable. One call, one silence, one response per four-bar phrase.

Week 3 — Piano: Introduce right-hand triad support — one triad shape, played as a chord or lightly arpeggiated. Add one 027 moment in a natural gap. Build 027 visually from the current chord root.

Week 4 — Piano: Full Month 1 integration. Left-hand shells, right-hand triad support, one top-line phrase, one Aim-Route-Complete arc. Record it. Three sentences in writing: what the form felt like, what worked, what Month 2 improves.